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By Nicholas Freeman

Conceiving the City is an cutting edge examine of the ways that a iteration of late-Victorian novelists, poets, painters, and theoreticians tried to symbolize London in literature and artwork. Breaking clear of the language and magnificence of Dickens and the static landscape work of William Powell Frith, significant figures similar to Henry James and J. M. Whistler, and, crucially, less-celebrated authors comparable to Arthur Machen, Edwin Pugh, and George Egerton bent realism into fascinating new shapes. within the naturalism of George Gissing and Arthur Morrison, the fragmentary impressions of Ford Madox Ford, and the brooding secret of Alvin Langdon Coburn's photogravures, London emerged as a spotlight for dynamic, explicitly sleek artwork. even supposing a lot of those insights will be brushed aside or a minimum of downplayed by means of next generations, the information advanced through the interval from 1870 to 1914 count on not just the paintings of excessive modernists resembling Eliot and Woolf, but in addition that of later city theorists corresponding to Foucault and de Certeau, and the novels and travelogues of latest London writers Peter Ackroyd and Iain Sinclair. Nicholas Freeman recovers a feeling of late-Victorian London as a topic for dynamic theoretical and aesthetic experiments, and exhibits, in stimulating analyses of Conan Doyle, H. G. Wells, Arthur Symons, and others how a lot of our knowing of city house we owe to eminent (and now not so eminent) Victorian figures. Written in a transparent and available kind, the ebook restores a much-needed ancient standpoint to our engagement with the metropolis.

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Conceiving the City: London, Literature, and Art 1870-1914 by Nicholas Freeman


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