By Jamie Howison,Don E. Saliers
As a part of the starting to be literature on theology and the humanities, God’s brain in that tune explores the vast theological perception expressed within the track of jazz legend John Coltrane. targeting 8 of Coltrane's items, subject matters into consideration contain lament (“Alabama”), improvisation (“My favourite issues” and “Ascension”), grace (“A Love Supreme”), and the Trinity (“The Father and the Son and the Holy Ghost”). through getting to the traditions of theology and of jazz feedback, and during a sequence of interviews with musicians, theologians, and jazz writers, Jamie Howison attracts the worlds of theology and jazz into an lively and colourful dialog with one another. equipped round a centred hearing John Coltrane’s song as heard opposed to the historical past of his existence and social context, and interacting with the paintings of various writers together with James Baldwin, Dorothee Soelle, Jeremy Begbie, and James Cone, God’s brain in that song can be of curiosity not just to these drawn to the intersection of song and theology, but additionally to Coltrane enthusiasts, scholars of jazz reports, and a person who believes that song matters.
“Written with shiny cognizance to sound and the sacred, Howison’s pages open up the religious and aesthetic depths of John Coltrane’s global . . . alongside the best way, we listen many voices attesting to this uniquely American musician who maintains to astonish our too-easily-established different types. Coltrane wanted to ‘sound’ the cosmos, to bare the secret that surrounds us. This booklet is an educated act of affection for a gorgeous, advanced, distinctive musician.”
—Don E. Saliers, Emory University
“Howison has given us an unique research exhibiting the connections among jazz track and theological truths, bringing jointly an extraordinary mix of musical and spiritual services. His ebook is a deeply own examine the good tune of John Coltrane and different jazz artists, displaying how their creativity is an expression of the numerous aspects of our humanity, from tragedies to triumphs. there's not anything rather like this within the literature. Must-reading for someone who cares concerning the arts in terms of faith.”
—William Edgar, Westminster Theological Seminary
“One don't need to be partial to jazz or Coltrane to understand the big desire Howison has performed for all those that might search to be reworked through the excellent news of the gospel. Rooted within the theological culture, cautious in its realization to easy biblical issues, and hugely conversant with the historical past of jazz and its so much capable practitioners, Howison’s booklet takes us into waters that brim with musical existence and pleasure, waters the place God is making all issues new.”
—Christopher R. J. Holmes, college of Otago
“Through a humble and exceedingly courageous examine the tune and lifetime of John Coltrane, Howison manages to in brief unveil one of many methods God interacts with humans, and conversely, how humans have interaction with God . . . the fantastic and hard fantastic thing about this paintings is that simply because the reader catches a glimpse of the Holy, it slips away, and prefer Coltrane with a fearsome craving in his soul, enjoying till nation come, we're left with a thirst for more.”
—Alana Levandoski, songwriter and recording artist
“Howison’s paintings on Coltrane is insightful and simply what you’d wish for—a deeper, wider groove, a tackle Coltrane that has no longer been peddled to loss of life. learn and be enriched.”
—Charlie Peacock, musician and manufacturer
Jamie Howison is a clergyman of the Anglican Church of Canada, and the founding pastoral chief of Saint Benedict's desk in Winnipeg, Manitoba. stick with Jamie Howison at http://godsmindinthatmusic.com.